¤ milky moon ¤

Geez louise, you guys work fast!

What an absolutely gorgeous and fascinating song!

Oh god I can't listen yet can't wait....

Maybe it's just differences in our own pronunciation of words but there are instances where I here more of a "G" sound than what's there in the lyrics:
The second line sounds more like "gone again" to me (not "continent")
and what lies under the city is "gone"

I also thought it was "through parks where pale colonnades"

And as for the "ole Florrie Walker" problem, I heard "all florid water" but tbh I don't know what is going on in there

I'm pretty sure the consonant at the end is a d, maybe a t, but definitely not a g, but yeah. I think it is through.

in regards to continent/content It's hard to work out whether there are three syllables going on or two, because what sounds like an unstressed syllable could just be the changing pitch in her voice, and it's obscured by somebody's cough anyway.

I can't really work out why a map would be sanded and bevelled, unless she means literally covered in sand and is using some meaning of bevelled that I don't know.

When do you think well hear talk of a new record?

Does anyone notice the juxtaposition of the words "ran" and "sang", like in Only Skin's "run, sing"?

Ozymandias
by Percy Bysshe Shelley (1792-1822)
I met a traveler from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.


didn't see a post of the poem so added

i must say, i feel as if i'm the only person who isn't in love with this song.

just feels kind of all over the place--a bit disorganized, a first draft. of course i'm so curious to see how it evolves and tightens. i admire its ambition (vocal acrobatics), but it just doesn't work for me yet. but of course it is very interesting.

could it be "mapa sacro imperio romano" or some variation?

on an aside i keep getting an SQL error trying to log in

btw thanks an kuddos for the youtube ichi!!!!

and could this be ol florry walker?

http://www.news.com.au/top-stories/hidd ... 1113733012

kinda getting some first impressions from this tune, she seems to be dealing with the "works" of man in relation to their standing up against the hand of the "maker" (and in this respect the un-maker). How little we leave behind and how even less that stands the test of time, where does the hand of the maker start and end and is this maker visable or nature(or a combo of both)? it's god and nature and wiping out the works of man...except love?

which i think u pointed out quite well Qug(if not overtly verbaged to death )

Wow guys, so impressive how you've all been finding these references. Gotta say I don't love this as much as the diver's wife, but any new material is exciting enough for me! Plus I've just listened a few more times and it's already growing.